Tag: block

Fern Quilt Process

My next project is well under way. Here are some photos from the beginning of the process. I am using a print block that I made out of cork and wood. I used an x-acto knife to cut a spiral in the cork which I glued to the wood. I also glued a handle to the block.

I am printing with Opulence pigments suspended in a translucent medium on a 72″ x 72″ quilt top that I dyed a mossy green using Procion MX fibre-reactive dyes. I dyed it using low-water immersion (using far less water than usual so that the dye particles cannot circulate as freely and evenly) in two stages for a richly mottled and uneven effect.  The first stage resulted in a golden wheat colour, and the second stage overdyed the gold with an emerald green to result in this great green moss. It’s been a lot of work and I’m enjoying the process.  My inspiration has been west coast mosses and spring fiddleheads.

Here’s how it looked about an hour into the process:

I completed the first layer of dark-green pigment and followed that with a lighter hue that I applied incautiously. I decided to use a translucent lime green as the final blockprinting colour to give the spirals dimension and movement. The final product looks painterly with some obvious and intentional “errors”, and in the right light it’s a dead-ringer for velvet dévorée.

Here’s a ham shot:

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Quilt 3

Quilt 3 (2006-2007): 213 x 213 cm (84″ x 84″).  Commercial cottons, cotton thread, polyester batting, backed with heavy black Italian cotton shirting.  Paper foundation block construction.  After “Jewel Squares Window Blind” in Kaffe Fassett‘s Glorious Patchwork (Clarkson Potter 1997).  Machine-pieced and -quilted on a Singer 201-3 (made in Clydebank, Scotland in 1952).

This is my third quilt. Scott and I photographed it at the Thread Bear quilt shop (now closed) in North Van. Thread Bear had a magnificent and enormous second-floor studio-classroom with cathedral ceilings, large high tables, floor to ceiling windows and a view of a pristine salmon stream babbling through the forest outside.

This quilt took a long time to complete. I grew impatient with the quilting and that shows, especially in the middle of the quilt. It’s sloppy craftsmanship, but it’s just fine for snuggling on the couch.

I based this quilt on a pattern I found in Glorious Patchwork by Kaffe Fassett (Clarkson Potter 1997).  The book contains a pattern for a foundation block patchwork blind in a rich assortment of reds.  I wanted to make something larger, so I enlarged the blocks onto tracing paper and decided to use blues.  A few spots of red pay homage to the original.

Foundation block work was interesting.  I sewed the seams in each block right through the tracing paper and then, after sewing the blocks together into the quilt, tore the paper off piece by piece.  I had to leave some strips here and there because removing them would have involved tearing some very stubborn seams.  There’s a faint and strangely comforting crackle in the quilt from time to time.

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